These stripey vines definitely make an impact after adding the little highlights. Add some shadows onto the figure and you’ve got a design feature which I just can’t get enough of! Still more work to do but it’s getting teasingly close!
One detail I was never in doubt about including in this year’s painting is the stylised pumpkin flowers and stripey vines. I absolutely love them! As always it’s a featured that’s painted in steps. This photo shows me mapping out these elements and placing the vines along the figure. You can also catch a little peek of how the face is coming along.
I’m delighted to share another video with you for this week’s mindfulness drawing. Admittedly it was a true labour of love to produce this video and I think i future I’m going to need to invest in some new equipment or software to speed things up.
This difficulty couldn’t be more in contrast with how I feel about the drawing itself. I couldn’t be happier with the drawing and I really feel a strong connection to it. The only idea I had when starting out was, knowing that I was going to video it, that I wanted to start with semi circles. I really wanted to show that you can produce beautiful art not by measuring, planning and tracing but by feeling your way around the page and letting the flow take hold. My circles are not even, not symmetrical, but I don’t think anyone could argue that there’s not something beautifully honest about them. I don’t believe art should be perfect and there’s no better way of illustrating that better than by doing this video.
I’d love to hear your thoughts on this week’s post. Please support me by liking and sharing this video if you enjoy it!
(Link: https://youtu.be/GmN5Rp8XIe0 )
When I showed my husband this week’s post his first comment was “woah its been years since you last drew women with wings, you used to do it all the time”; further evidence that this project has started to tap into something fundamental in my artwork. I don’t know whether this side of my art had been put aside, forgotten or simply demoted in favour of other projects. It’s so nice that I now feel I have a project where I can explore all manner of subjects and themes with little consequence to my portfolio. The problem with my larger paintings is always the time it takes to complete them. Because they take longer, I can only follow up the strongest and best ideas. I don’t have time to investigate the fleeting ideas and perhaps more importantly ideas which don’t steer my overall portfolio in the strongest direction. (Oh woe is me, the trials and tribulations of the poor artist working a day job to pay the bills…)
This was an interesting drawing this week, an idea which grew from nothing other than the starting point of wanting to draw a curled up figure. I was doing my mindfulness practice on my lunch break and was really tired at the time, wishing that I could curl up myself. The wings and horns are examples of those classic elements where I can honestly say “I don’t know why”, just that they felt right at the time. I think something like this would be lovely in a full colour piece where these mysterious little plants could be painted exactly as they are in my head, as bioluminescent plants belonging to a fantasy realm.
I hope you enjoy the gif that I’ve put together for this week’s mindfulness post. I am also keen to do another timelapse/speed drawing video but this will have to be reserved for a week where I can find more time to carry out my practice at home. So until then, enjoy:
I’m very excited to have just finished my third YouTube Ardent Shadows for my new painting ‘The Bees Made Honey’. Please head over and give it a thumbs-up. I’d love to get some feedback on these videos!
This piece has been a bit of adventure. It’s a little smaller than my usual pieces being approx 12 x 16 inches and started as a way of painting with a different colour palette and a different approaching limited colour schemes. I really wanted to do something a little less planned and a bit more instinctive. Accepting that the bees and honey would always look best when painted golden yellow, I felt that the skin could be any tone or colour way. The only other decision I’d made ahead of setting up that first palette was the decision to have a solid black background which the face and hands would dissappear back into. I wanted to ensure this piece felt a little uncomfortable, and empty darkness lends itself well to unnerving the audience.
I decided that I wanted to hinge the scheme around the use of Buff Titanium and Pale Violet and chose not to plan the rest of the scheme but instead, to mix as I painted, allowing the colours to essentially choose themselves. I really loved the interaction between these two paints. I left open sections of each colour unblended and allowed them to describe areas of highlight and shade. Each owning it’s individual values. This was a really pleasing approach and something I would like to use in future paintings. The main stumbling point I found in not have a planned palette was in the shadows. Particularly when I was adding the finishing touches such as the shadows underneath the bees. At first it felt like they should be warm toned perhaps matching that found on the skin of the hands, but after inspection is appeared that a cooler brown looked much more realistic.
It’s also been interesting to push fantasy toward abstract with the honeycomb. I would usually paint this sort of detail to appear as a tattoo or a pattern on the skin itself. But it’s been fun to leave it open to interpretation this time. I intend to continue pushing forward with this as I find it very difficult not to tackle every idea in terms of ‘how would that work’. Although in my usual fashion I did research some bees and used the UK buff-tailed bumblebee for my reference.
So without further ado please use the following or click on the picture to view this short video and watch me paint these lovely bees. I’m also going to be posting on the blog later this week regarding the inspiration for this piece. The song used in the video is Earth’s ‘The Bees Made Honey in the Lion’s Skull’, which had a lot more to do with this painting than you might think!