Whilst I do a certain amount of planning before I embark on a painting, there are usually several unplanned elements that take shape as an ethereal part of the creation process. I like working in this way because I feel it gives me a closer relationship to what I’m working on. If you know exactly how the finished painting is going to look before you start, I think you take the life out of it. There’s no better feeling than looking at the structure of your composition and feeling where a flower should nestle in or a piece of ribbon should curl and flow. Whilst you can do this on paper before you start, why would you want to rob yourself of the joyous experience of doing it on a large scale where you can feel the shapes you’re creating.
I’ve decided to share a short video below showing me beginning to map out these unplanned elements. This is taking my earlier point to an extreme. I actually found myself a little stuck with this painting and went through a period of weeks when I wasn’t working it due to this sticking point. The question was this – who is my character and what setting would she be in? I didn’t want to leave the background as plain colour. That’s the freedom of creating on the canvas, you feel your way around it. That’s when you tap into a total state of calm concentration. That zen state which I’ve talked a lot about in my Mindfulness Monday posts. So, this is how I create on the canvas. Hopefully when I share the final piece you’ll be able to see why I think this is such an important part of creating artwork: